Monday, 26 October 2009

Making The Most of Email Marketing

The rise of a multitude of social networking platforms over recent years have provided more ways than ever to get your message out to fans and potential customers. Amongst all the Twittering, Myspacing, Soundclouding, Facebooking, Beboing and everything else, the medium of email can often be overlooked. While these various social networking platforms are all important, email still represents the highest return on investment of any marketing initiative, as well as offering the following advantages:
  • Everybody uses it – and it often forms the launch point for most people’s online activities
  • It is familiar – no new skills are required
  • It is direct – and can be stored and accessed at the user’s own preference
In this article we look at some tips on how to get the most out of email marketing. Thanks to AIM and A2IM for pointing me in the direction of their email marketing White Paper.

1. Manage your existing email list
If you have previously collected email addresses but have not contacted the people for some time then purge the list, which generally involves asking people to re-opt-in. It is often useful to include some type of incentivising offer when doing this, such as free and/or exclusive content.

2. Use a professional Email Service Provider
A professional email service provider will help to manage your mailing lists, create forms to collect new subscribers and track statistics such as open rates and click-throughs. They will also provide templates to help you design attractive emails. Examples of companies providing such services include Sign-up.to, Champion Sound and Fanbridge.

3. Statistics
The statistics collected from the actions taken by email recipients are useful in determining which elements of your email campaigns are most successful and which are less successful. This allows you to refine future campaigns. You can also use the statistics to test campaigns before sending out the most well received of the tests to the full email list, or to set targets to aim for.

4. Recruiting subscribers
There are a number of things to consider when recruiting subscribers to your email list in order to keep the lists healthy:
  • Double opt-in – when someone joins via an online form, always make sure they get added to your list only after they click a link sent to them as triggered by the sign-up process. All Email Service Providers offer this kind of mechanism.
  • Subscriber details – do you want to make people give up a lot of details up front, so as to get a better profile (but potentially risk putting some people off), or collect only a valid email address? There is no right or wrong in this regard – but you should make a decision and stick to it.
  • How do you plan to recruit subscribers ‘offline’ (eg at gigs)? If possible, deploy technology rather than take hand-written lists.
  • What incentives are you offering to sign up, and how clear are you about the offer? It is generally a good idea to offer something in return for sign-up.
  • It is also worth making sure that new people who join the list are not left for long periods of time before you make any further contact with them.
5. Spam
Email service providers will often provide a facility to inform you of the spam rating of your message. Getting a good balance of images with text, and also avoiding certain words can all help to avoid spam filters. Here are a few simple tips to help you avoid crossing into the realms of spam:
  • Have a one-click unsubscribe option at the footer of every email you send
  • Include your company’s details in every email
  • Never purchase or ‘borrow’ someone else’s lists
  • Don’t use terms like “free”, “special offer”, “discounts” and the like within your subject line or email body
  • When recruiting people to your lists, be clear to them what they are signing up for – don’t merge email lists unless you have received explicit permission from the recipients to do so.
  • Be aware of the number of emails you are sending – too many, and people will simply flag your emails as spam, whether or not they actively subscribed to your list or not. Too few, and you lose the potency of your email marketing project.


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Kahua Radio Mix: October 09

For October's mix we welcome Danny Stott as the guestmixer. Danny has released music for labels including Lost My Dog, Dutchie, Grouper, Night Drive Music, 3am and several of Tony Thomas' labels.

Strakes Mix:
1. Rhythm Plate ft. Nesreen - Tonight (Yse Remix) (1999 Recordings)
2. Jacob - Diamonds (Moodymanc Remix) (Baker Street)
3. Ross Warm - I Am An Original (Unpopular)
4. Lovebirds - N2Deep (Lazy Days)
5. Latenight Society - Do It Right (Pete Dafeet Remix) (Lost My Dog)
6. Drew Tempest - Time Out (Trendy Mullet)

Danny Stott Mix:
7. Tuccillo - Jazzy Thing (Peppermint Jam)
8. Two Deep - Sax Pest (1999 Recordings)
9. Danny Stott - Bubble Pop (Lost My Dog)
10. Soul Minority - House Music (Elevation)
11. Atomm - Hoyoyo (Funk la Planet)
12. Danny Stott - Bunker (Atnarko's Deep Revision) (Lost My Dog)
13. Steinwiese - Wool Rim (Aruba & Rodskeez Mix) (Splendid)
14. Dennis Ferrer - Son of Raw (King Street Sounds)
15. Edmund - Inside of my Mind (Grouper Recordings)
16. Soultourist - Fo Eva Gruber & Nuernberg Remix (Drumpoet Community)
17. Recruit - Peace Trip (Pete Dafeet Remix) (Southside Shuffle)
18. Stel, Nils Nurnberg, Wiretapper, Florian Kruse - I Want You (Fresh Meat)

Kahua Music Mix 9 - Oct 09 - Strakes & Danny Stott by Kahua Music



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Saturday, 26 September 2009

The Hidden Benefits Of Music Promotion

In this article we explore the various benefits that promoting your music can offer. We look at the immediately obvious advantages - such as DJs providing comments you can use in your marketing - and also consider some of the less immediately obvious ‘hidden’ benefits, such as licensing and additional work offers. These benefits are all things that I have experienced firsthand at Kahua Music Promotions.

DJ and Radio Plays
One of the key advantages of promoting your music to club DJs and radio DJs is that they will play it and hence put it in front of potential customers. There is such a wealth of music available now that recommendation is becoming increasingly important when people make purchases. Therefore having your music played in clubs, used in DJ mixes and podcasts, and played on radio is a great way of reaching a large audience and taking advantage of the endorsement from respected individuals.

DJ Comments, Charts and Magazine Reviews
In exactly the same way as having the music played out, getting comments from DJs, being included in charts and being reviewed in magazines is another great form of recommendation. DJ comments can be used in your sales notes for stores and distributors and also in your own marketing materials. DJ charts, particularly those on download stores are big sales drivers and inclusion in these can have a massive influence. Similarly magazine and website reviews are an excellent source of recommendation as well as being read by thousands of potential customers.


General Profile
While music promotions are often targeted towards boosting a specific release, the impact it has on your overall profile and reputation should not be underestimated. Consistently sending your music to tastemakers helps to build a relationship and will improve the chances that they will support it.

Professional Appearance and Credibility
Investing money to promote your music means greater professional credibility; those who receive it will view it in a more favourable light because of the way the music is presented. Spending money on promotions demonstrates that you are serious about making a success of your label and artists, and therefore should be treated with importance.

Larger Scale Radio and Magazine Features
One way that building up your overall profile, appearance, credibility and trust with tastemakers can manifest itself is in requests from magazines or radio to run larger features on your artists or label. This may include interviews, guest mixes and profile pieces; all things which can have a large impact of spreading the message further.

Licenses
Compilation licenses can prove a very valuable source of income for record labels and naturally DJs compiling such mixes are often looking for upfront material. By consistently promoting your music you can increase the chances of your music being licensed. Several record labels promoting their music through Kahua have seen that the income generated from a license can easily cover the cost of undertaking the promotional activities. Furthermore, if you are successful in having a track synchronised to film/TV, an advert or computer game the income generated can be much greater.

Remixes and Production Work Offers
Sending your music to other DJs and producers (who are often record label owners as well) can also lead to additional offers of work. At Kahua we are regularly contacted by record label owners and artists asking to be put in touch with other artists they have heard and liked through our services.


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Kahua Radio Mix: September 09

September's radio mix saw Strakes joined by Nick Dare, a mighty fine DJ and deep/tech house producer from London, who has releases on Lost My Dog, Detour, Wiggle and several other leading labels.

1. Harold Heath - Lovebird (Lost My Dog)
2. Fabio Tosti & Francesco Taranti - Get Up (Fabio Tosti Under Club Mix) (Transport)
3. Mazi ft. Colette - Do You Want Me (2020 Vision Vocal Mix) (Brique Rouge)
4. Latenight Society - Do It Right (Lost My Dog)
5. George Cochrane - Teh Key Is In The Lock (The Littlemen Mix) (Unpopular)
6. Molisans Brothers - 600 Entry (Big City Beats)
7. Junia Ovadose - Pizza The Hut (Lost My Dog)

Nick Dare Mix:
8. Maunuel Sahagun – Pieces Of Me (Bambino)
9. Julian Sanza – Maldito Dimitri (Lost My Dog)
10. Terry Lee Brown Jnr – Everyday (Plastic City)
11. Alex Celler, Anthea – Playmaker (Dyed Soundorom Cougar Remix) (Freak N Chic)
12. Eddie Leader feat Red Eye – Brace Yourself (Hudd Trax)
13. Stimming – The Kiss (Diynamic)


Mix 8 - Sept 09 - Strakes & Nick Dare by Kahua Music



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Thursday, 27 August 2009

Creating A Killer Press Kit

For all artists (and also record labels) having a well prepared and professionalpress kit can be an extremely valuable tool. It can assist in getting your music signed to a record label and prove invaluable when dealing with magazines, websites, radio stations or any others who may want to feature you. For a record label a press kit could be instrumental in getting your catalogue added to a download store or taken on by a distributor.

In this article we will focus on artists to look at the main components of a press kit and offer a few tips on how to create a great package. Notes for record labels are included at the end.

Housekeeping
Before we look at the specific components of a press kit, a few quick tips on housekeeping.
  1. Your press kit should always be kept up to date; sending somebody out of date information always looks unprofessional. If your press kit is well organised then keeping it current should only take a few moments every now and then.
  2. It should be well presented; some simple document formatting and addition of logos/photos into the document can make a huge difference.
  3. Have it available to send to people on a CD/DVD and from an online location within a .zip/.rar file which can be downloaded and extracted.
Biography
Your biography is the fundamental part of the press kit; it is your chance to show other people the highlights of you career. Having a well written biography is a skilled task and so it can be worthwhile investing some money to use somebody who knows what they are doing. The information needs to be clear and concise, detailed enough to give the reader an insight, but not so detailed that it becomes boring and turns them off (apart from your mum does anybody really care that you got grade 5 piano aged 12?). References and quotes can be extremely useful, but a long list of record labels, collaborators and supporters is dull. Biographies are used in various places with different purposes, so you may wish to prepare one version which doesn’t ever go out of date and another which focuses more on your recent and current activities.

Discography
It can be useful to keep an up to date discography in your press kit. A few images of key releases can make this document more attractive than a plain text list, but don’t go overboard and include every 12”, CD and download you’ve ever appeared on.

Photographs
Photographs are a must for any press kit and the images should always be hi-resolution (at least 300 dpi). Even jpeg’s suffer from loss of quality as they are massively compressed so wherever possible use the best quality file format available. Print magazines will always request high resolution images and not having these available could restrict you from achieving high profile features.

Think of it like an mp3 versus a wave file – you wouldn’t send an mp3 to be pressed onto vinyl because the quality isn’t good enough; it’s exactly the same with magazines. Kahua has achieved a number of great features in the world’s leading dance music magazines thanks to the artists and label involved being able to provide quality photographs. Click the links for examples: Mixmag - iDJ - DJ Mag - M8

As with biography writing, don’t underestimate the value of having a professional photo shoot done. You can be sure that the images will be of the highest quality and the photographer will be able to get the best out of you. To use another music analogy, you would use a professional mastering engineer to make your music sound as good as possible so why not invest in yourself with some professional shots? Check out the professional shots from Fred Everything (below) and consider how yours compare.


A professional photographer should also be able to suggest some new ideas and concepts. Think of how many times you have seen the standard shot of a moody DJ stood in front of a brick wall or some graffiti – do something different that will make you stand out to the people looking to use your photos! Greenskeepers and Harold Heath (below) are great examples. Interesting, high-quality and professional photos really do make a difference to the coverage you can achieve.


Press Cuttings and Quotes
If you’ve been featured in magazines and websites previously or you have some quotes from respected tastemakers then include some of this information in your press kit. Again don’t go overboard, just a few key points of interest will help to build up the overall profile and presentation.

Other Artwork
If you have a logo then include this (again hi-resolution artwork is important), but avoid including packshots of every single release you’ve ever had. It will just add clutter to the pack of information and distract from the key information.

Notes for Record Labels
A record label’s press kit should include:
  • A label biography
  • Discography (and future releases if relevant)
  • Logos (hi resolution)
  • Relevant photos (perhaps of the team involved or key artists)
  • Any key press clippings or quotes

For assistance on writing and compiling a press kit please contact Kahua Music.


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Kahua Radio Mix: August 09

For the August mix Strakes was joined by Peckos for a 30 minute guestmix. The Kahua Monthly Mix is broadcast on 4 radio stations. Alongside Beat 102-103 in Ireland, you can catch it on Chicago House FM (UK), Radio RDM FM (France) and Radio LFO (France).

1. Greg Zoi - Loungin (Original) (Bounce House)
2. Soul Minority - Plough Hand (Kolour)
3. Julian Sanza - A Cumbachero (Lost My Dog)
4. Galaxy Group ft. Capitol - Out Of Control (Asad Rizvi Mix) (Loveslap)
5. Haldo - Night City Journey (Random Soul Deep Wash) (Adaptation)
6. Peckos - Sensual Strawberry Soda (Danny Stott Remix) (Lost My Dog)
7. Bang Bang - Love Insurance (Demarkus Lewis Dub) (Baker Street)

Peckos Mix
8. Peckos - Sensual Abduction Intro
9. Fred Everything feat. Wayne Ten - Mercyless (Atjazz Vocal)
10. Alex Niggemann - Perception
11. Peckos - Sensual Strawberry Soda (Tommy Largo remix)
12. Bryan Jones - I know you feel (Frankie J remix)
13. Jay-J & Torin Rea - Sunshine People
14. Wattie Green - Newclear
15. Lusty Leg - Swinging


Mix 7 - Aug 09 - Strakes & Peckos by Kahua Music
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Wednesday, 29 July 2009

Music Social Networking: A Comparison of iLike, Reverbnation and Soundcloud

In this article the focus is on three online platforms which have a specific focus on music: iLike, Reverbnation and Soundcloud. Over the past few weeks I have been ‘test-driving’ these sites, primarily from the perspective of a record label, and the aim of this article is to present a summary of their main features whilst looking at how well they can be used alongside other social networking platforms, as discussed in last month’s article on web integration. I will also touch on the ability of these websites to act as ‘central hubs’ which was highlighted as being important in last month’s article.

The large benefit of all three sites is that they allow you to control your musical content from a central location and by integrating them with other websites you can keep that content up to date just by updating music in one location.

Kelvin K has also written an informative article specifically aimed at artists/musicians about improving your online presence through social networking and integration. Read it here.

iLike
  • Overall iLike is more suited to artists than record labels. It doesn’t allow a record label to set up a specific account that allows them to showcase their artists’ music. The only way I found to include content from my record label was to pretend to be an artist and name the music files carefully.
  • iLike was developed as the music application for social networking sites such as Facebook and Bebo and therefore has excellent integration options on such sites. For an example visit Lost My Dog on Facebook and click on the music tab.
  • It will pull in a Youtube feed which is a feature unique to iLike and also a Twitter feed so you can share that content on your iLike profile page (it will also display this on your Facebook page in a ‘Music’ tab)
  • It allows you to write a blog which can also be posted to your Myspace blog area. However, unfortunately it does not allow you to import a feed from another website meaning you have to update the iLike blog manually.
  • iLike will automatically search iTunes to link to your music so the artist and track names have to be set up exactly as in iTunes for it to find. In my experience this function rarely works and definitely won’t work if setting up a record label profile. iLike includes an iTunes link next to each track by default which can be frustrating when the link doesn’t work or if your music isn’t available on iTunes. It does, however, allow you to include additional links on your profile page which you could populate with direct store links.
  • Due to its good integration, iLike is good for fans who want to include your artists’ music on their profile pages on sites such as Facebook and Bebo.
  • iLike could be used as a hub site as it allows you to post up info in a blog and showcase music, then automatically populate a number of other websites with this information.
  • iLike is free to use

Reverbnation
  • Reverbnation is an excellent resource for artists/musicians and while it does have a specific account type for record labels the options are limited. For example it is not possible to import an RSS feed in the way that an artist account will allow you to, and crucially a record label can’t upload music to their profile.
  • Record label accounts in Reverbnation are based on linking to artists and therefore rely on artists keeping their own individual pages and music up to date. There is an option for an artist to allow the label to manage their page, but unless you are a label owner who only releases music you create yourself or a label with exclusive artists then it’s unlikely that artists will give you the access (and it would be a large job to keep multiple profiles up to date). That said it is still worthwhile setting up a Reverbnation label profile page and linking in your artists who do have a presence on there.
  • As with iLike, you could set up a record label profile as if you were an artist in order to take advantage of the additional features and music uploading.
  • Integration with other sites is good with specific highlights being the ‘My Band’ tab for Facebook and the excellent widgets which can be placed on almost any website. For examples of widgets in action visit Kelvin K’s Myspace page.
  • Reverbnation collects excellent statistics and allows you to build a mailing list and create newsletters.
  • It allows you to provide multiple links to stores where people can buy your music.
  • Record labels would struggle to use Reverbnation as a central hub with a specific label account type, but for artists it is a great option and offers many benefits not discussed above.
  • Reverbnation is free.

Soundcloud
  • Soundcloud can be used by almost any discipline within the music industry including record labels.
  • It is not as comprehensive as either iLike or Reverbnation in terms of the range of features and it much more strongly focused only on music and their player which is does exceptionally well.
  • Soundcloud integrates with other websites and social networking platforms via its music player widget. It won’t automatically link up with other sites, but once you place a Soundcloud player (or multiple players) onto another site you can then easily update all music via your Soundcloud dashboard. Soundcloud can also be set to post an update to your Facebook and Twitter account when you upload new music.
  • The Soundcloud player looks great and is customisable to match the colour scheme on the websites where you place it. You can include a direct ‘buy’ link on all songs which will appear in the player. View Soundcloud players on the Lost My Dog Facebook page and the Lost My Dog website.
  • Soundcloud collects good statistics on plays and downloads of your music as well as details on which other uses are following you.
  • The player allows for excellent interaction with ‘followers’ who can mark songs as their favourites and make comments on the music.
  • An additional feature of Soundcloud is the ‘dropbox’ which allows others to upload their music to you. This can be particularly useful to record labels as a demo submission tool.
  • Soundcloud would not lend itself well to being a central hub for all of a record label’s needs, but for music alone it is perfect.
  • A basic Soundcloud account is free, but this limits you to 5 uploads per month. There are three tiers of subscription account allowing varying levels of uploads and customisable ‘dropboxes’.

In Summary
  • iLike can be useful to record labels but is more suited to artists. For a record label to use it well they need to set up an account as if they were an artist, which isn’t ideal. A key benefit is that it creates a very useful and comprehensive ‘music’ tab on your Facebook profile.
  • Reverbnation is an excellent resource for artists, but less flexible for record labels. It is worthwhile labels setting up an account but keeping it up to date relies mainly on artists. Good widgets, stats and marketing tools.
  • Soundcloud is more strongly focussed on the music but does this extremely well. It is not so suited to being used as a general record label hub site but is my preferred option for a music-specific hub.


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